APPLIED TECHNIQUES (V3)
Sword - Stick - Body Arts

Saito Sensei T1 - Recto
Front page


Contents

Chapter I — Variation of Kokyu-ho

  1. Sitting
    • i. Basic pattern
    • ii. Wrist held from below
    • iii. Wrist held from above
    • iv. Wrist pinned
    • v. Wrist held with full power
    • vi. Elbow joints pinned

  2. Standing
    • i. Basic pattern
    • ii. Wrist twisted
    • iii. Wrist held up
    • iv. Wrist held down
    • v. Hand grasped on the back

Chapter 2 — Variation of Basic Techniques.

  1. Suwari waza Shomen Uchi Dai Ikkyo
    • i. Omote waza
    • ii. Ura waza

  2. Shomen Uchi Dai Ikkyo
    • i. Omote waza
    • ii. Ura waza

  3. Shomen Uchi Dai Nikyo
    • i. Omote waza
    • ii. Ura waza

  4. Shomen Uchi Dai Sankyo
    • i. Omote waza
    • ii. Ura waza

  5. Shomen Uchi Dai Yonkyo
    • i. Omote waza
    • ii. Ura waza

  6. Yokomen Uchi Dai Gokyo
    • i. Omote waza
    • ii. Ura waza

  7. Katate Dori Shihonage
    • i. Omote waza
    • ii. Ura waza

  8. Ki Flow and blending
    • i. Omote waza
    • ii. Ura waza

  9. Katate Dori Shihonage

  10. Kata dori Shihonage

  11. Hanmi Handachi Waza Katate dori Shihonage

  12. Hanmi Handachi Waza Ryote dori Shihonage

  13. Yokomen Uchi Kotegaeshi
    • i. Remarks on Kotegaeshi

  14. Kaitennage Uchi Mawari

  15. Kaitennage Soto Mawari

  16. Ki Flow and Blending

  17. Shomen Uchi Iriminage
    • i. Variation !
    • ii. Variation 2
    • iii. Variation 3
    • iv. Remarks on Iriminage
    • v. How to perform Iriminage

  18. Ryote dori Iriminage

  19. Kata dori Iriminage
    • i. When diverting the attack rightwards
    • ii. When diverting the attack leftward

  20. Morote dori Iriminage
    • i. When turning the arm from below
    • ii. When turning the arm from above

  21. Hanmi Handachi waza
    • i. Shomen Uchi Iriminage

  22. Tenchinage

  23. Kokyunage
    • i. Te kubi (wrist held)
    • ii. Sode guchi (cuff held)
    • iii. Sode (Sleeve held)

  24. Kokyunage
    • i. Te kubi (wrist held)
    • ii. Sode guchi (cuff held)
    • iii. Sode (Sleeve held)

  25. Jyuji garami or Aya Dori
    • i. Mune (Lower lapel held)
    • ii. Both hands held from below
    • iii. Mune held from below

  26. Ushiro Eri dori Dai Ikkyo

  27. Ushiro Kokyu nage
    • i. Collar held from behind (1)
    • ii. Collar held from Behind (2)

Chapter 3 — Modes of Variation.

  1. Koshi Nage Henka Waza
    • i. Koshi nage (1)
    • ii. Koshi nage (2)
    • iii. Koshi nage (3)
    • iv. Koshi nage (4)
    • v. Henka Waza (5)
    • vi. Henka Waza (6)

  2. Variations of basics Techniques (Iriminage)
    • i. Ushiro Ryote dori
    • ii. Ushiro Eri tori
    • iii. Ushiro Eri tori

  3. Ushiro Waza Variations
    • i. Ushiro Eri tori Shihonage
    • ii. Ushiro Ero tori Kotegaeshi

-Introduction

The third volume in the Traditional Aikido series begins the presentation of the vast subject of taijutsu, that is, the empty-handed techniques of aikido. To quote from the foreword to Volume 3:

“The techniques in this book were picked entirely at the discretion of the author who sought, in selecting them, to establish some contextual correlation between pertinent techniques. Some of the techniques may well be construed as derivatives from the standard Aikido repertory. ‘… As an invaluable aid, I took the liberty to of quoting the words bequeathed by Founder Morihei Uyeshiba, which represent the “heart of techniques” in such a concise and incisive manner.’”

Traditional Aikido, Volume 3, Applied Techniques contains hundreds of high quality photos and over 18 Kuden (secrets of the art bequeathed orally by the Founder Morihei Uyeshiba).

  • Hardcover with cotton cover
  • Premium silky paper
  • Thread tied spine
  • Dustcover
  • 140 pages

Traditional Aikido volume 3 includes:

  • Foreword by Morihiro Saito
  • Bodily Adaptation of “principle of swordmanship”
  • Body exercise and their unlimited Ramifications
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